DISCLAIMER: The Walking Dead characters are the property of American Movie Classics (AMC), Circle of Confusion, Valhalla Entertainment, Darkwoods Productions, and AMC Studios. The story contents are the creation and property of Djinn and are copyright (c) 2013 by Djinn. This story is Rated PG-13.
Baggage Makes the Best
Survivors
by Djinn
DarylÕs
not much for talking. HeÕs not much
for listening, either. ThatÕs
probably always been his problem, why people never took to him. He appears to not care about anything,
when really heÕs seeing everything, cutting through the bullshit of peopleÕs
words to figure out what theyÕre really saying.
ThatÕs
how he survived his childhood. How
he survived his father. He had to
know when to get the hell out of the house, and his dadÕs words didnÕt always
go with what was going to come later.
So he learned tone, he learned body language, and what goes on in a
manÕs eyes—because theyÕre the mirrors of a soul and nothing telegraphs a
hard slap better than a certain glint.
He
knows heÕs different from most of the other survivors—he actually prefers
this world. The zombies are
predictable. They eat, they come
after noise, they smell like shit and make creepy noises, and they die
easy. As long as you donÕt let a
group surround you, or become lazy and think itÕs always gonna be as easy as a poke with a sharp stick through
the prison fence, youÕll be fine.
He
can see the fence now, bathed in moonlight, from the guard tower that most
people think isnÕt safe. He and
Carol may have made them think that.
He and Carol will do just about anything they need to if it lets them be
together.
ÒWhat
are you doing awake?Ó Carol crawls
over to him, drops her legs over the side so theyÕre dangling like his, so her bare thigh is pressed up tight against his. ÒYou had a long day. You need sleep.Ó She nuzzles him and rubs her hand low
against his back, where it aches a lot of the time.
He
turns and smiles before he kisses her.
This is the only time they let down this way. They play a game for everyone else. Are they or arenÕt they? They donÕt let the others know theyÕre
together partly because heÕs discovered she likes sneaking around, that it
gives her a feeling of power after having her life monitored day and night by
that shithead husband of hers.
But
mostly they know that together they are far more dangerous than any other two
people except maybe Rick and Michonne—and
although Daryl would not have thought it possible to find two more fucked-up
people than Carol and him, Rick and the samurai gal win the prize with no
competition required.
But
that doesnÕt mean theyÕre dangerous in the same way as Rick and Michonne. Those
two are batshit crazy. Carol has said even their demons have
demons, and Daryl thinks sheÕs right.
She usually is right, even when heÕs sure sheÕs finally fucked up and
gotten something wrong, itÕll turn out sheÕs had her money on the right person
in the group, or called what was going to happen without thinking too hard
about it.
SheÕs
a survivor, like he is—an observer, like he is. And what makes them different than Rick
and Michonne: those two were stronger before the
walkers.
Daryl
and Carol, they were weak before the world changed. They hated who they were. And now...now theyÕre strong. So strong that the others might get
nervous if they knew all the things they talked about, all the plans they have
to survive.
Carol
loves the others. Probably more
than Daryl does. But heÕs seen her
eyes when she talks about contingency plans and caching supplies, and there is
a relentless way to them. He knows
heÕs seeing Sophia and everything that happened to her reflected in CarolÕs
determination—that Carol will never let anything happen again to someone
she cares about, not if she can help it.
ÒAwful
lot going on in there.Ó Carol taps
his head softly. ÒWhatÕre you
thinking about?Ó
ÒUs. Strength. Surviving.Ó
She
smiles. He loves that she
understands his shorthand way of speaking.
That she can fill in all the blanks.
ÒBig
thoughts, Pookie.Ó
He
laughs. SheÕs called him that ever
since he told her his first puppy was named Pookie. His favorite dog.
His
dad ran over it with his truck, drunk off his ass. Daryl went off to the woods to cry. Deep in the woods—he didnÕt want
his dad, or Merle, to find him crying like a little girl. But he did cry. He loved that dog.
Pookie means more than just love. Pookie means
loss. Pookie
is every reason to get up and keep fighting just to survive.
And
the woman who calls him Pookie is, too.
ÒHey,
I found this last scouting trip.Ó
He pulls his jacket over, digs around in the pocket, and hands her the
flower. A
Cherokee rose.
ÒItÕs
beat to shit. Thanks.Ó She rubs the flower—and yeah, itÕs
pretty mangled after being in his jacket pocket for days, but theyÕre a little
short on florists and fancy delivery trucks—on her neck. ÒWhat do you think?Ó
He
leans in and smells her skin, smiles at the special scent, at what it means
that she does this. All the things
she does. It was her idea to teach
the kids about the weapons. Her
idea to make sure the kids knew the vulnerable parts of the walkers, where to
strike. To tell them how when
anyone died now, they came back wrong, a walker.
That you have to kill them. You owe it to them. And you owe it to yourselves. If you want to keep on
surviving.
She
doesnÕt sugarcoat things anymore. This woman who he wouldnÕt have looked at twice before the walkers. This woman who he now thinks is the most
amazing thing heÕs ever held—whoÕs ever held him.
She
knows him. SheÕs seen who he
is. And she loves him anyway.
ÒItÕs
good,Ó he says. ÒItÕs nice.Ó
ÒJust
nice?Ó
ÒNice
enough to get me thinking about other things than talking.Ó He crawls away from the side of the tower,
easing her with him, back to their pile of clothes, dodging their guns and
knives—she does it just as easily as he does.
HeÕs
taught her everything he can.
SheÕs
taught him way more.
She
lies back and pulls him down, wrapping her legs around him, her smile the calm
one that makes him feel safe. ItÕs
the safety heÕs craved his whole life, that never
came, not till he found himself living in hell.
ÒI
love you.Ó He stops moving. He always makes sure she knows heÕs not
just saying it. That he could never
just spit it out like the words donÕt matter. LoveÕs been in short supply in both
their lives. You say it when you
mean it, no other time.
ÒI
love you, too.Ó She rubs his hand
back. ÒIÕm glad weÕre here.Ó
And
thatÕs what makes them survivors.
ThatÕs whatÕs going to keep them alive. In this godforsaken world where
everything is broken or dying, theyÕre happy.
ÒMe,
too,Ó he says, before he gets back to what they were doing, moving slowly, letting the heat build.
Skin against skin and heart to heart.
FIN