DISCLAIMER: The Star Trek characters
are the property of Paramount Studios, Inc and Viacom. The story contents are
the creation and property of Djinn and are copyright (c) 2010 by Djinn. This
story is Rated R.
What Makes You Stay?
by
Djinn
At the end of your rope,
when you can't
find any hope,
you still look at
him and say,
"I just can't walk away."
Tell me what makes you stay.
-- "What Makes You
Stay" by Deanna Carter
It's dark and the
beeping of the biobed keeps Number One awake even
though she's supposed to be sleeping.
She'd be pacing if she could, or better yet fighting her way out of this
infirmary to get to Earth.
To
get to Chris.
But
she can't get out because she's hurt, and she'll never get well if she doesn't
lie very, very still. They threatened
her with a medical coma if she didn't think she could lie
very, very still all on her own.
She
told them she could.
She's
doing it, too. Her mind's racing, but
she's clamped down on her body, on her need to move, to do something, anything.
Chris
is hurt. Chris needs her. After the fight they had, after the words she
said, if she doesn't go to him, he'll think she won't ever come.
And
she will, she would.
But she's hurt, too. His stupid
fault that she's hurt because he went and got captured,
and she heard about it and was distracted when she should have been focused.
The
blaster hit her square. Her body armor
took most of it, but the second hit got through. Some new kind of weapon. Of course, now. Some new kind of goddamned
weapon.
She
would have rescued him, only it was she who needed rescuing. And now she's heard that he's free, that the
Kirk kid and Spock rescued him. And she's lying here.
Lying
here useless. Lying very, very still.
"Gwen?" The whisper of sound fills the room but she
knows there's no one there, doesn't have to look. She always knows what's around her--except of
course when her lover is captured and her friend's planet is destroyed and she zigs instead of zags.
"Gwen,
are you asleep?"
She
almost laughs, but that will move her body and she's keeping very, very
still. "Chrissy?" She speaks as softly as she can, barely
moving her lips.
"I'm
not five anymore, big sister."
"You're
not thirty, either."
"Rumor
is thirty was almost all you were going to be." Her sister's voice is off,
as if she's making jokes so she won't cry.
"I'm
all right now. Just can't move."
"Must
be killing you, being inactive."
"It
is." She almost sighs, but is
afraid of that much movement. Even just
breathing is scary when she's made a promise to be careful. "Chris needs me and I can't get to
him."
"Chris
needs you and you can't see him. But you
can talk to him."
"I
can?" But talking is what gets them
into trouble. Talking is what she is bad
at and he is good at, as long as by good you mean hiding what you're really
feeling under a load of lofty sounding bullshit.
"Yes. Just promise me you two won't fight."
"Us,
fight?"
"Oh,
this is such a bad idea." There is a
voice in the background, male, southern.
Number One thinks he says, "Christine, hurry it up, the admiral's
waiting."
Admiral. Her Chris is an admiral now. She does sigh, and it doesn't hurt as much as
she feared.
"Gwen,
my errr friend is in Chris's room. He's going to help us with this. So is my other friend who's really good at
using comm channels she shouldn't and not getting caught."
"You
have a lot of interesting friends."
"You
have no idea. You can thank them when
you see them." Chrissy sniffs. Always a sap her little
sister. She's tried to teach
Chrissy how to fight, how to be tough.
Her sister knows the steps, but lacks the will.
Number
One's never lacked the will. Fighting is
what she does best. Being strong is
second nature.
It's
why she's always been alone. Even when she is sitting next to Chris.
"Spock
says hello, by the way."
"You
ever get over your crush on him?"
In
the background, she hears the southern voice saying, "You had a crush on
him?"
"Thanks
so much, Gwen." A beep sounds. "Okay, patching you through, we'll be
off as soon as we're sure you've got a good connection, so don't get all mushy
till you hear the clicks."
Mushy? When had she and Chris ever gotten mushy?
They'd
had sex in every position imaginable. They'd
fought side by side more times than she can count. They'd risked censure, even court martial at
times for each other.
But
they'd never been mushy.
She
hears the southern man say, "Okay, anytime, sir."
"Gwen?" His voice is strong. Oh, thank God, his voice is strong.
She
isn't sure what she would do if he was weak and she was weak, too. They can't both be weak. It just won't work; one of them has to be
strong. Generally, both of them are, whether it's called for or not, which is probably a
good part of their problem.
"Chris." His name comes out breathy, scared even.
"I'll
leave you alone, sir," Chrissy's friend says.
"Thank
you, Leonard."
There
are three clicks and then she knows it's just Chris and she, alone.
"Your
sister is as determined as you are, Gwen."
"Is
she?" That surprises her somehow,
that Chrissy might be stubborn. She's
been so busy being the tough one, taking care of her little sister, that she's
never noticed that.
"She
survived out there. She thrived out
there. Fell in love, too, unless I miss
my guess."
"Oh? The southern guy?"
"You
Chapel girls have an astonishing propensity for falling for your boss."
That's
supposed to be a joke. She's glad she
doesn't find it funny since laughing is one of the things that is not going to keep her very, very still.
"Gwen?" He sighs.
"I guess you're still mad?"
"You
were the one who was mad."
"That's
not how I remember it."
"Well,
your memory's not what it used to be, then."
That's
supposed to be funny, but she's hit too deep, as usual.
"They
stuck a bug in my brain, Gwen. I'm not
sure what I remember and what I don't."
"I'm
sorry. Chris, I'm sorry." They do so much better when they can
touch. A kiss can ease the sting of
words said too fast. A soft caress can
help take back a joke that isn't funny.
Or maybe she just thinks it can.
But perception is everything--she's walked away from many an
almost-fight she'd never have won by being ballsy and acting badass.
But
love isn't a fight. Or at least it
shouldn't be.
There
is a long silence, so long she thinks the connection might have dropped, but
finally he says, "I gave away the defense codes."
"I
know. Spock told me." Spock told her a lot of other things, about
his mother, about his planet, about the friend Chrissy says is
so clever with comms.
Her heart hurts for Spock, but not as much as she's afraid it will hurt
for Chris and her.
"Some
mentor I am. If you want to know how to
fold in a crisis, I'm your man."
"Spock
didn't see it that way. There was no
censure in his voice."
"Well,
bully for him. He's a bit off his game,
though. Lost his
planet, his mother. Met
himself--an older version of himself. Not his best time. I doubt he has much left to worry over what a
coward I am."
"You're
not a coward."
"Funny,
you told me I was. Isn't that what we
were fighting about?"
She
feels the sting of the well-timed hit.
She doesn't think he meant to set her up like that. It is just what they do, how they work--or don't
work.
"We
were fighting about being together."
Or rather not being together. With him teaching, with her on someone else's
ship, they can be together. They can
finally be together. But he held her at
arms' length until she wanted to explode.
And
then she did explode, only without the noise or the fire, because she and Chris
are like an underwater detonation in the deep ocean. They don't make a fuss when they draw
blood. They don't cause a scene when
they rip each other to shreds.
"I
am a coward, Gwen. I don't think we'd last if we were
together. I think you like what you
can't have. And you can't have me, so we
work. But once you have me, you'll
realize I'm an old man and you'll leave me, and right now I couldn't stand
that." He coughs, and it turns into
a coughing fit, and she has to wait, while the man she adores but who thinks
she doesn't finally coughs himself into silence.
"Drink
some water."
"Don't
baby me."
She
hears water being poured. He does what
she says, even if he hates it. She does
what he says, too, and she generally loves it.
But
she hates it when he tells her what she's feeling. Like that she doesn't really love him. When he says things like: "Try someone else, Gwen, before it's too
late." Too late
for what? Like it almost was too
late now, for both of them? Or
"Date other people." As if
what she and Chris have could ever be called dating? As if she would even want
that after going this many rounds with him.
"Look,
I'm feeling really, really old right now.
I love you. God help me, Gwen, I
love you with everything in me. But I
can't stand the thought of losing you when you look at me, when you realize
that the man you love broke. Let's
just...let's just leave it at this."
"At
what?" She almost sits up, but a twinge in her chest
reminds her to lie still. Nothing can
stop the pain deeper in her chest, though.
A pain about where her heart is--the heart most people would swear she
doesn't have.
Nothing
can make this hurt less. She wishes it
were not such a familiar hurt.
"I
have to go." There is a long pause,
as if he expects her to protest.
"Are you all right? I know
you were hurt."
"I'm
fine." Even if
she can't move. Even if she hurts everywhere. Even if her heart is
breaking--again.
He
cuts the connection before she can.
-------------------------
Pike
wakes and blinks against the bright sunshine flooding the room. Who the hell opened the blinds?
"Good
morning," a sarcastically cheery voice says.
"Shut
the damn blinds."
"Not
a chance." A slim body steps
between him and the window, becomes a silhouette, with sunshine playing on
blonde hair.
"Christine,
close the damn blinds."
"Close
them yourself." She moves to the
other side of the bed, sits down in the guest chair, and smiles at him. But it's a dangerous smile. "I'm not happy with you, Chris."
"What
did I do?"
"I
didn't risk my Starfleet career by setting up an illicit comm line"--at
his rolled eyes she laughed softly; they both knew the comms
were perfectly in order, especially for an admiral--"to my sister to have
you go and depress her with whatever you said."
"She's
depressed, huh? Normally Gwen takes her
depression out on something big, tall, and ugly. She must really be injured if she's stuck
actually feeling something in her hospital bed."
He
thinks Christine might slap him. She
looks astoundingly like her sister, blue eyes nearly flashing as she leans
forward and says, "That is so unfair.
You know she's never had the luxury of wallowing. She had to stop indulging herself the minute
our parents died, and she was saddled with me."
"You
had your aunt."
"When
Aunt Judy wasn't on deployment, sure.
But how often was that? Besides,
Judy liked Gwen but not me. I wasn't her
idea of what a Marine sergeant should be raising. Too soft."
"But
Gwen was what she liked. And that's my point. She can take care of herself, so you don't
need to worry about her--or lecture me."
"She
can't take care of herself, don't you get it, you complete idiot? She only knows how to take care of
others. She has no idea what to do when
it's just her at stake." She sighs
and reaches behind her, handing him some crutches. "You should start practicing with
these. I can help you or I can get
someone from P.T."
"My
wheelchair's fine for now, thanks."
She
gets up, takes a deep breath.
"She'll come. The talk you
two had left her empty, so she'll come.
She'll come to give you hell, if nothing else. Do you really want to have to look up to her
when she's giving you a piece of her mind?"
"She
has to get well first."
"She's
Number One. How long do you think it'll
take her to get well when she's this angry at you?"
Pike
eyes the crutches. It's true; long
before his lover became his X-O, she earned that
nickname in the Academy for being the best at everything she tried. No doubt healing would be a walk in the park
for her.
"You
want me, then, to help you, or you want the P.T. guy? They call him The Great Sadistico
behind his back."
"You. I'll take you."
Christine
pats him, gives him the sweet smile that hides a backbone of steel. "That's my smart boy."
----------------------
Number
One waits for the other passengers on the shuttle to get off before she grabs
her carryall and makes her slow way to the hatch. Spock is waiting, with the cadet she's dubbed
"Stud" when she's joking around with Chris, but who's generally known
as Kirk.
Captain. Captain Goddamned Kirk. What in the hell was Starfleet thinking?
There's
no one else in the waiting area, so she shoves her carryall at Kirk and gives
Spock a gentle hug. "I'm so sorry,
Spock."
He
relaxes into her for a moment, takes a deep breath, then pulls away and
straightens up, the picture of the perfect Vulcan.
Kirk
stares at them openmouthed.
"What?"
she asks. "You've never seen a
Vulcan hug someone?"
"Actually,
that's all I'm seeing. Who knew you were
such a lady's man, Spock?"
She
decides she likes Kirk; maybe she won't call him "Stud" to his face.
"Commander
Chapel was my mentor before Captain Pike."
She
laughs. "That didn't last
long." Chris intervened because he
said between the two of them she and Spock made maybe three quarters of a
human, and she was pretty sure he gave Spock the lion's share of the humanity.
"I
have missed you. You find the Lincoln a satisfactory vessel?"
"It's
not the Enterprise. Then again, I hear after your kids got done
with it, the Enterprise isn't the Enterprise anymore, either."
Spock
looks down; Kirk doesn't. He purses his lips, as if he's trying to decide whether or not
to reply.
"Out
with it, Captain." She can't
help it; she loads the title with more disdain than respect, and he definitely
notices. She expects him to give her
shit about it, to be the cocky stud she's heard so much about, but he looks away,
and she realizes that, just like with Chris, she's gone too far again. "Sorry, sir. I'm old school."
He
turns to her. "Old school--when
people actually earned a posting like mine?"
He
seems to want the truth, so she gives it to him. "Something like
that, yeah."
"It's
occurred to me. Believe me."
"You
should call him Jim," Spock offers, and she realizes he is trying to break
the ice, playing Vulcan hostess for a man he should, by rights, hate if she got
the story accurately from the various sources she's cultivated--or that found
her on their own. "Jim, Commander
Chapel is known as Number One because--"
"Oh,
believe me, Spock, I know exactly why she's called
that."
She
thinks there will be a veiled insult, but he looks at her with respect.
"I've
seen your scores on the beta tests for the Kobayashi Maru. They're still the highest anyone's ever
gotten."
"Well,
until you beat them."
He
laughs, and it's a self-deprecating laugh.
"I didn't beat them. I
cheated. Ask the creator here."
"It
is true. He reprogrammed it so it was
possible to win."
"I
don't believe in the no-win scenario."
"This
fact did save us on the Narada. Although not without some
lacerations."
"And
bruises, Spock." Jim grins, and
it lights up his face.
She
watches the two of them, and her smile grows.
Does Spock have any idea how easy he is with this young upstart, how
happy he seems? Even though she knows
his heart is breaking for his mother and his planet, somehow he is happy.
She
hears steps approaching rapidly, the click-click of Starfleet-issued boots.
"Am
I late? I told you I wouldn't be
late." A young woman runs up, her
pony tail whipping around her head.
"Hello. I'm late. I'm sorry."
"You
must be Nyota."
She smiles at the girl. "You
patched me through to the admiral, didn't you?"
"Just
found an empty comm, ma'am. Christine
makes it sound a lot more exciting than it was."
"Christine
has a way of doing that when she wants to make her friends look
good." Or dangerous
and wily. Aunt Judy approved of
friends who could be counted on when the going got tough.
She
sees Spock looking at Nyota, sees the regard even
though she doubts anyone else would notice it.
He loves this girl. He has given
her his heart and she knows it, because she moves closer, and Number One
doesn't think she even realizes she has done it.
"We
can show you to your quarters." Nyota smiles at her and it's a beautiful expression, not
unlike Amanda's in its gentleness. Spock
has always needed gentleness, always seemed to cry out to be taken care of.
She
hangs back to walk with him while Nyota and Kirk
fight over her carryall.
"Do
you approve?"
"I
do." She smiles at him. "What must Christine think?"
He
shakes his head. "Christine has not
had a crush on me since she was seventeen, and I think she would thank you to
stop teasing her about it."
She
laughs. "So what's with her new
beau? Some southern
guy?"
"McCoy. Leonard.
Doctor."
"Do
you like him?"
Spock
nods slowly. "He is very good to
her. I would tell you if he were
not."
"Aww, are you looking out for my little sis?"
The
look he gives her is as warm as she has ever seen. "Yes.
As you have always looked out for me."
"You're
going to make me cry."
"You
do not cry."
She
does, just never in front of anyone, and never without a regen
machine to fix her face so no one can tell.
Tears equal weakness.
She
is weak much more often than anyone would ever guess.
----------------
Pike
hears her before he sees her, arguing with Christine as they come down the
hall.
Christine. His little guard dog
despite her "come to Jesus" pep talks.
"Gwen,
I don't know that he's ready right now."
He
grabs the crutches, stands and turns awkwardly to face the door as the two
Chapels storm in like twin hurricanes.
Christine looks at him and shrugs, and he gives her a forgiving
grin--she's never been able to stop Gwen, hell he's never been able to stop
her, not when she's in a mood.
And
she's most definitely in a mood.
But
then she clutches at her side and says, "Shit," and Christine turns
instantly from cowed little sister to extremely good nurse and pushes Gwen into
the guest chair. She pulls out a
scanner, frowning as she checks her sister.
"Sit
there. Don't pace. Don't throw things. Don't hit anything"--she glances at him,
teetering on his wooden helpers--"or anyone. You got it, big sis?"
"Got
it. Now get out."
Christine
leaves, but she walks slowly, like she's not running the risk of getting her
ass kicked if she doesn't clear out fast enough.
He
gives Gwen a smile that ends up being tight, primarily because he stood up
before he was ready and the crutches are pinching. "Well, this is how I imagined our
reunion."
She
is still holding her side. "Shut
up."
"If
you're going to sit, can I sit? These
kill my armpits."
He
can tell she wants to be mad at him, but she starts to laugh and nods. He sits back in the chair with relief, puts
the crutches on the bed and wheels his way over to her, stopping when he can touch
her without straining.
He
runs his hands over her face, stopping at her lips. She feels good, but then she always
does. She smells good, looks good. Her voice is like honey when she murmurs,
"Chris, damn you."
He
pulls her to him, trying not to hurt whatever's already hurting. Their lips meet by reflex, by magnetic
pull. He loves this woman, wants this
woman, would die for this woman.
So
why is he so damn afraid of this woman?
"I've
missed you." He pushes her hair
back, kisses along the cheek that he can imagine bruised from her
injuries. He knows she's assessing his
damage just as carefully.
"I've
missed you, too." She grabs him,
kisses him fiercely, then groans and pushes at her side again. "If we were goddamn together, we wouldn't have to miss each other."
"You'd
still be on the Lincoln. In another sector from where I was. Even together, we might not be there when it
matters."
"Don't
be logical. I have Spock for that."
He
sighs. "He's not being all that
logical right now, Gwen."
"I
know. He's hurting. But he has you and me and Chrissy. He has Nyota and he
has Jim, who I think I might actually like, by the way, and get that
self-satisfied look off your face right now or I will punch an injured
man."
"I
told you you'd like him." He pulls
her to him again because when she's this close and they're alone, he finds it
impossible not to kiss her. "I
wasn't very nice the other day."
"You
were hurting."
God,
he loves that about her. She can always see
the other side, even when it kills her.
"And
no, you weren't. You were a prime
asshole."
And
while seeing the other side, she has no problem providing her take on it.
She
pulls away, and he sees how tired--how terribly, terribly tired she is. He's been pushing her away so hard it didn't
occur to him that she might not have been around for him to do that to. That she might have died. That they both might have.
"Everything's
so screwed up," she says, and for once, she doesn't sound like she can fix
it. And that's what he loves about her:
she can always fix things. Always wins.
Except
with him.
"I
love you," he says.
She
touches his cheek. "And that's the
most screwed up thing of all, isn't it?
What are we doing? Why do I
stay?"
"I
don't know. I've asked myself that a
thousand times." He pulls her close
again, holds her, burying his head in her neck, and she grips him almost
frantically.
His
cadets think he's strong. Think he's
wise. Think he's brave--well, at least
they did before that goddamned Nero put a bug in his mouth. His cadets think he is easy to know. But this woman, this woman is probably the
only person who knows the real Chris Pike.
Who understands that he's not strong, and he's not wise, and he's far
from brave. Especially
where she's concerned.
Because
this--this touching and kissing and just having her--it keeps him going. It keeps him alive. And he's desperately afraid that if he gives
in to her, if they make their stolen moments something more permanent, more
visible, she will tire of him and then she will leave him.
And
he will be alone. Truly
alone, without his rock. Without the love of his life.
It
makes no sense to his mind, but his heart understands perfectly.
"You
should go," he says. It's not what she
needs to hear. It's not what he wants to
say. It comes out, though.
"You're
tired," he tries again, trying to be noble. To think about her. "Get some rest and come back,
okay?"
She
meets his eyes and looks utterly defeated.
She nods, and kisses him gently on the lips. Then she looks at the bed, big enough for
both of them if they cuddled. Christine
wouldn't mind. Leonard wouldn't mind.
For
a moment, he thinks he sees the shine of tears in her eyes, but that's
impossible. She doesn't cry. Not ever.
Not even for him.
"I'll
see you soon." She gets up like
she's an old woman, pushes him away when he reaches for her. "No, I'm okay. I'll see you.
Chrissy knows where I'm staying if you need me."
In
the past, she would have told him where she was staying, would have had a glint
in her eyes as she did. In the past, he
would have asked, or would have seduced her into spilling the location if she
was intent on making him work for it.
This
time, he just lets her go.
----------------
Chrissy
finds her hiding out in her guest quarters.
"I thought you were going to dinner with us?"
Number
One glances in the mirror, as if she's primping, but she's really checking to
make sure the regen unit did the job. Chrissy's eyes narrow, and she thinks how stupid she's being--she never
primps and Chrissy knows it.
"So,
how'd it go?"
"Fine. It was fine.
I'm just tired. Rushed the
recovery, you know." She tries to
appeal to the nurse, but her sister insists on staying in control, concerned in
a personal way and frowning. A diversion, then.
"So when am I going to meet this mythical McCoy, hmm?"
It
works, and she sees just how in love Chrissy really is by the way she goes
still for a moment and then a slow smile spreads over her features, features so
close to Number One's that people always guess they are sisters. Only Number One's
have never looked that happy, never ever.
Not over a man. Not over the only
man who's mattered for a very long time now.
Shouldn't
love make you look like that? Shouldn't
love make you happy?
"He's
just outside. Do you want to meet
him?"
"Of
course I want to meet him. Or wait. It's more like he better want to meet
me. We may not have a dad anymore for
him to impress, but he's going to have to get by me."
"Oh,
Gwen, go easy, okay? I really like this
one." She opens the door and
motions him in.
He
gives her a quick kiss, then turns to Number One,
assessing her not as her sister's suitor but as a goddamned doctor. "You're in shit shape, young lady."
"Young
lady?"
He
walks toward her, scanner already out.
"I
did not say you could do that and--"
He's
got his hand over her mouth. His
goddamned hand is over her mouth and he leans in and says, "Shh."
And
God help her, she shhhs.
She
looks over at Chrissy, who shrugs in a "What can you do?" sort of
way, and then opens the door and beckons someone else in.
Kirk
walks in, sees what McCoy is doing, and shakes his head manically. "Oh, don't let him start. Soon he'll be lecturing you on nutrition and
proper breathing techniques. I roomed
with this guy for too many years, and I can tell you, he'll follow you into the
bathroom, if you let him, and inspect what you left in the toilet."
"That
last part is an exaggeration," McCoy says softly, then
he backs off. "You really are not
in good shape. You need sleep. You need some food. And you're a little dehydrated."
"I'll
eat. I'll drink. I'll go to bed."
"I
think that's a hell of a plan." He
smiles gently. "You've also been
crying." He says this so quietly
she is sure the others can't possibly hear.
"I wish I could prescribe something for that."
"It's
okay." And she suddenly wants to
cry again and has to blink hard a few times, and he moves so he's in front of her
and there's no way the other two can see.
And then she wants to cry some more, because this man is a good man, and
he's a gentle man, and he's going to take care of her sister the way she should
be cared for.
More
blinks, desperate blinks, and McCoy is talking as if she's giving him lip about
vitamins, and he winks at her and she takes a deep breath and nods, and for a
moment envies Chrissy this softer, sweeter life.
Then
she remembers how hard she's worked for the one she has, and sits up straighter. "Thank you," she whispers.
"You're
welcome. And it's a pleasure finally
meeting you. Are you coming to dinner
with us? A little change of scene might
not be a bad thing. There's a good
restaurant just down the block."
"No. Thanks."
He
nods and walks back to Chrissy, bumping up against her in a sweet way, in a
possessive way. In a
very open, aboveboard way.
God
damn it. She is jealous of her little
sister.
Jim
studies her, then walks over. "You all right?" He sits and she's struck by how young he is,
by how little he's probably really seen of the world, this boy-God who is all
the rage at Starfleet. "You
seem..."
"Down?"
"Yeah."
"It's
just...I've never lost." She smiles
at the boy who still thinks there's no such thing as a no-win scenario. "Spock likes to say, for every thing there is a first time."
"You
haven't lost yet."
"You
don't even know what it is I've lost."
But
as he meets her eyes, as his become gentle and so knowing she wonders how she
ever thought him young, she realizes maybe he does know, maybe he absolutely
knows.
"It's
one thing to lose hope when no one loves you, Gwen. Believe me, I've been there. But it's another thing to do it when you're
surrounded by those who care. The
esteemed admiral will come around."
"You
don't know him."
"A
lot of people would have said that about me being in Starfleet. But here I am." He turns to Leonard and Chrissy. "You two mind having a private night
out? The lady and I are going to play
chess." He's already requisitioning
a board from the guest services computer, the idea of asking her if she even
wants to play apparently not occurring to him.
She's
about to protest, to tell him to forget it, when she sees Chrissy's
face. Her little sister looks rather
happy at the idea of being stuck alone with the man she loves. Number One smiles at her, the smile Aunt Judy
would never give her, the one that meant the world to her sister growing
up. "Go have fun." Then she looks at Jim. "I'm going to mop the floor with you,
boy."
"Uh
huh," he says as he sets up the board.
"We'll see about that."
----------------
Pike
is startled awake by the feeling of something soft but heavy being tossed on
his chest.
"Napping
like an old man, there, Admiral."
Jim looks insufferably pleased with himself. "And don't thank me."
Pike
stares down at the pile of clothes Jim has thrown on him. "Okay, I won't."
Jim
whistles and opens the blinds Christine opened earlier and Pike just closed a
few hours ago. "Wow, you are really
wallowing, sir."
"And
you are out of line, boy."
"Your
girl called me that. When
I was playing chess with her.
She's really good." He turns
and smiles in a way Pike isn't sure he entirely
understands.
"Who
won?"
"I'll
never tell." He grins at the look
Pike gives him, then gestures to the clothes. "Don't you want to know what those are
for?"
"I'm
sure you'll tell me."
"You
are not making this any fun." Jim
sits in the chair, manages to lean it back on two legs despite the fact that it
is supposed to be sturdy and un-tippable. "You're going on a date."
"I
am?"
"Yep." He lets the
chair fall with a thud. "With a very, very beautiful woman who for some unknown reason
thinks the world of you."
"Jim,
I appreciate the romance help, really, but I don't need it."
Jim's
expression changes. The
lightness is gone, and something dark and sad and scared is there for a
moment. Something Pike thought he saw in
the cadet bar, the first time he talked to the kid. Hurt--this kid has been hurt.
By
someone he loved.
Pike
looks down. "Jesus, did she send
you?"
"Why
in God's name would she send me? She
loves you but she's not desperate. Her
heart's goddamn breaking, but she's not going to crawl back to you. You need to go to her, and that's why you
have date clothes."
"She
and I don't date."
"And
I would suggest that may be the root of your problems, Christopher." Jim smiles, and Pike smiles too. Jim's never called him by his name before. And it feels challenging and annoying but
also very, very right.
"I
won't hold her interest. It's
just...some things don't work in the light."
"Oh,
is that why you're hiding alone in the dark, then?" Jim stands up, smiles as he says, "My
father bought my mother one dozen red and one dozen white roses on their first
date. I dare you to do
better." His grin is huge and
infectious and full of something that Pike realizes just might be love.
"You're
a good kid."
"You're
the only one who ever thought so, sir. And
I'm very grateful you helped me by kicking my ass the way you did that
night."
"I
think the cadets did the ass-kicking."
"You
remember it your way, and I'll remember it mine." He winks and walks to the door. "Since Leonard and Christine will kill me
if you leave the hospital, I took the liberty of getting a soon to be very good
friend of mine who works in administration to set you up a little private
dining area in conference room seven.
Gwen's on her way. I told her you
took a turn for the worse. Don't prove
me right."
And
with that he's gone, leaving Pike to stare down at the clothes and wonder when
Jim took command of his life as well as his ship.
------------------
Number
One practically storms into Chris's room, out of breath from having rushed.
He's
sitting in his wheelchair, in clothes that are not hospital issued, looking
very handsome with a nervous grin on his face.
He's holding a huge bunch of flowers--roses, so dark a red they're
almost purple.
She
counts quickly. Three
dozen? "You haven't bought
me flowers in a long time."
"That's
been entirely wrong of me." He
hands her the flowers, then grabs his crutches and stands. "There's a conference room with our name
on it. I have no idea what's on the
menu, though."
"Kirk." She is going to wring his neck. Or maybe kiss him. It all depends on how this goes.
"Kirk. I wish I could take credit for it,
though. It's long overdue."
She
doesn't answer, because she's afraid to mess up what could be a first
step. She's almost glad he has to work
to walk with the crutches, that maybe it'll keep him from thinking about what a
scary first step this is.
She
opens the door to the conference room he stops at, smiles as she looks
inside. "Wow, your Cyrano did good."
"You
don't call him 'Stud' for nothing."
He grins at her and she laughs, and feels the nerves playing across her
shoulders relax a little.
There
are candles. Tablecloth. Even wine. And a couple of orderlies that she imagines
Jim is paying overtime to act as waiters. They take the roses from her, put them in a
vase.
The
food is definitely not hospital fare. At
first, she's not sure what to say to Chris, so she digs in, and when he looks
amused says, "I'm hungry. Haven't been eating much."
"I'm
sorry."
She
reaches over, and they hold onto each other for a long moment before she lets
go and goes back to eating.
"So
Jim said you two played chess."
"Yeah. He's really good."
"That's
what he said about you. So who
won?"
"I
promised him I wouldn't tell." She
laughs and feels something hard inside her break open and turn
soft and warm. "He said it would
drive you nuts not knowing."
"He
does know me."
"He's
a little scary that way. He sees
things. So does McCoy."
"He's
a good man, too. If he gave you advice,
you should listen to it."
"That
goes for you, too."
"Yes,
sir." He grins and takes her hand again. "I do love you, Gwen. I'm sorry."
"I've
always known you love me. It's...it's
what we do with you loving me that makes
me crazy."
"It's
what we don't do."
"Yes."
He
grins, and it's sweet but slowly turns a bit wicked. "We're in a semi-public place."
"Yes."
"And
the waiters could come back at any moment."
"Right."
"Come
here. Let me take our relationship into
the open."
She
stands and walks around. The chairs are
straight, no arms to get in the way, and she steps over him and eases down,
checking to see if he's in any shape for this before she even thinks about
taking off articles of clothing.
He's
rubbing her back, and her arms, running his hands under her full skirt as he
smiles a wonderful smile. "I won't
break, Gwen." His smile fades and
he looks like he's about to push her off.
"No,
you won't break. But you did, once, and
anyone would have. Except
maybe Spock. So quit beating
yourself up for that. I mean
it." She kisses him fiercely, as if
she can make him believe in himself again through the power of her lips.
But
he pushes her away. His face goes
hard. His eyes old and
dead.
This
is what defeat feels like. This is how
losing feels.
She
can hear her Aunt Judy, yelling at her as they ran. "Gwen, there's no one can make you cry,
you hear me. Tears are nothing but a
reason for them to keep you down. Tears
are inexcusable. You're not some
crybaby, are you?"
"No. I'm.
Not." She'd said it in
cadence. Running
forever to the words, running until Aunt Judy deemed them done.
But
Aunt Judy had never been in love. Or if
she had, it wasn't with this man, with this heart, with this pain.
Turns
out, she is a crybaby. She's tired, and
she's aching, and her stomach hurts from eating so much after so long not
eating. The wine has gone to her head,
but in a bad way, already dizzy with no buzz.
And in her chest is this pain, a pain that beats in time with her
heart.
She
buries her face in her hands and cries, really fucking cries, and as she cries,
she sobs out "I hate you, I hate you, I hate
you."
She's
not sure who she's talking to, though.
For
a moment, even though she's sitting on his lap, even though he's only inches
from her, she's alone. And she feels as
if she might freeze in the space he's giving her.
She
starts to get up, can't see and knows her makeup is running down her face.
"I
love you," she says as she swings her leg over him, hitting the edge of
the table, adding to her pain as her ankle joins in the throbbing.
And
then she's being pulled back down, and he's kissing her and saying, "Baby,
baby, it's all right."
And
she's not a baby, and she tells him that, only her words don't come out because
he's kissing her, his hands tangled in her hair, and she's pulling him closer,
so there's no air between them.
He's
talking, murmuring things she's never heard.
Things about how he was raised, how he felt unloved. How afraid he is that if he reaches out, that
if he really wants her, she'll leave.
She'll walk away. She won't love
him.
"What
makes you stay?" he asks, shaking against her as he holds her so tightly
it hurts. "Why don't you
leave?"
"I
love you. I love exactly three people,
Chris, in this entire life. Chrissy. Spock. And you. I don't know how to walk away."
"I'm
not sure that's a good thing, sweetheart."
But he's smiling and he's kissing her, and then he pushes her up and
opens his pants and pulls her back astride him, and they go slow, because they
are both the walking wounded. They go
carefully, because too much too soon will break them.
And
they go lovingly, because that's all that's left.
They
sit, foreheads pressed together, his arms wrapped tightly, so tightly, and she is
playing with his hair, rubbing it. The
waiters come in and smile and clear the table and she and Chris don't move, and
her skirt covers them so there's nothing to see except two people in love.
And
not afraid to show it.
"So
who did win?" he asks her softly as he pulls away and kisses her slowly.
She
smiles, kisses him back, and says, "I did."
FIN