DISCLAIMER: The Star Trek characters are the property of Paramount Studios,
Inc and Viacom. The story contents are the creation and property of Djinn and
are copyright (c) 2004 by Djinn. This story is Rated PG-13.
Scientist
by Djinn
The air is brisk as Christine
leaves the lab for the walk home. She
pulls her coat around her more securely, wishing the anger she feels inside
could warm her outside.
"Hey!" David runs out behind her, ignoring the new
guard who tells him to slow down--the old guards will fill him in soon enough
on not trying to fetter the creative element.
"Christine, wait."
She walks faster. She is tired.
So tired of arguing with him. He is determined to use the protomatter. And she has run out of other options.
Two years ago, she was as hot
to try it out as he is. Two years ago,
she wasn't lying to Jim every time he tries to ask her about work--as well as
every time it never even occurs to him to ask about his son. She sees his son every damn day, and he
doesn't even know it.
It doesn't help that Jim seems more miserable in his own Earthbound
job with every day that passes. He hates
that part of his life, and the rest of it she is wrecking all on her own.
David catches up to her. "Christine. Stop.
Please."
She turns to him, but doesn't
stop walking. It's too cold to stand
outside and argue. She shivers, pulls the
stupidly ineffectual regulation jacket she grabbed that morning around her.
"Come on. Let's get some coffee and talk where it's
warm." He takes her arm, steers her
toward a nearby coffeehouse.
She yanks her arm away. "I don't want coffee, David. I want to go home."
He takes her hand, gives her
the pleading look that is half Jim and half some terrible tempter out of myth. Loki, she decided long ago. David is Loki.
He moves his other hand
underneath hers, trapping hers as he chafes it softly. "Please?
Christine, I need you." He
is leaning in, his look intense.
He can turn intellectual
conversation into seduction. Even if he
has absolutely no interest in her that way, he still can use his father's charm
to get what he wants.
She lets him pull her
inside. He orders for her and carries
the drinks to a secluded table.
"I know you're angry
with me," he says. "But we've
tried everything else. It's time to bite
the bullet."
She doesn't answer.
"I don't understand your
attitude, Christine. You want this as
much as I do. You're as eager to test
out your theories as I am. I know you
are. So what is the problem?" He leans in.
"I can't believe you're letting your personal life get in the way
of this."
"Stay
out of my personal life," she says, only barely stopping herself from
adding, "And your father's."
"Okay." He holds up his hands. "Christine, I need to know you won't
fight me on this. Mother cannot know
what we are planning."
She doesn't answer. He knows she won't tell Carol. There is no way she won't be blamed just as
much as David. In this case, it
definitely takes two to tango with protomatter.
He shakes his head. "We're not doing anything wrong. When this is over, history will laud
us."
She is tired. Too tired to fight him. She wishes she never accepted his offer,
never gave in to his charm. Her hubris
was matched only by her stupidity--did she really think that she could keep
this from Jim and not pay some kind of price?
Lies fester. Even if the person being lied to doesn't
suspect they don't know the truth. The
liar knows. And she pays for being false
in every other aspect of her life with the person she has wronged.
Christine has been paying for
some time now. The worst part is that she's
started to close her eyes when she and Jim make love. She can't bear for him to see what lies
inside her. What lies lie inside her.
She sighs.
What difference does it make
anymore? But for her work on the
project, David wouldn't even be at a stage to use protomatter. She made it possible for him to harness the
damned stuff; she should see this out.
David suddenly looks over at
the window.
"What's wrong?"
"I thought someone was
there. Watching
us."
She closes her eyes. He's
getting paranoid, she's getting neurotic.
If they're not doing anything wrong, why are they both so jumpy?
She gets up, her coffee
mostly untouched. "I have to get
home."
"But you'll be back
tomorrow?"
She nods. She'll be back. She'll probably always be back. The siren song of this young genius and her
own curiosity are too strong to resist.
Even though she knows she
should resist. Should just tell him and his
mother to go to hell and let them finish Genesis on their own.
"Christine. It's going to be all right. You'll see."
She turns and leaves, walking
home as quickly as she can. Jim isn't
there when she arrives. She hangs her
coat up and wanders the rooms of their apartment, touching the things they've
bought together since they moved back to Earth.
So much shared property, so many shared memories.
And they are supposed to get
married in a few months. That thought
used to make her ecstatic. Now it just
feels like the lies are closing in more.
She laughs at herself. Does she really think this will get worse
when they are married?
How can it possibly get any
worse?
She hears the front door
open, walks back out to the main room.
Jim is hanging up his coat, he doesn't turn to
look at her.
"Hi." She moves to him, wrapping her arms around
him. "Long
day?"
He nods.
"Jim?"
He turns, stares at her. "You'd tell me if you were unhappy,
wouldn't you?"
"If I
were unhappy with what?"
He shrugs. "With anything. Work. Us."
"Sure. Why? Are
you trying to tell me that you're sick of us?" She grins, wants to turn it into a joke. She doesn't like how sad he seems or how hard
his eyes are.
Work must have really been bad today. He
has never come home like this before.
"No. I'm not." He seems disappointed in her answer, moves
away and pours himself a drink.
She watches him, realizes she
is still cold and wraps her arms around herself.
He glances over, his
expression becomes even harder.
"Jim? What is it?"
"Nothing. It's been a
bad day. Didn't end
well." He stalks off toward
his study.
She watches him go. Feels another crack creeping
down between them. If love is a
bridge, then this one is quickly becoming structurally unsound.
And she knows that most of
that is her fault. Lies fester.
She's an idiot.
She's also trapped by her own
ambitions. Ambitions she didn't even
know she had before Genesis.
She debates going into his
study but then she hears the music start up.
Old jazz, the kind he loves and she doesn't. The message couldn't be clearer: "Stay away. I don't want you."
She sighs. She's not hungry, just cold. She decides to go to bed and warm up there.
She wonders if he'll join her
before she falls asleep.
He doesn't.
---------------------------
"Christine, you seem
particularly distracted tonight."
Spock is looking down at the Ka'Vareth board.
It's true. She's made a mess of the game. Almost as much as she's made a mess of her
life.
She pushes her chair back,
tips one of the pieces over.
"It is premature to
admit defeat."
"What are the odds that
I'll win?"
"Approximately one
thousand three hundred to one, given the way you are playing."
"Well, there you
go." She gets up, walks over to the
window, looking for Jim.
She can smell the food; it's
almost ready. Where the hell is
Jim? He knew Spock was coming over for
dinner.
"You can trust me,
Christine. If there is a problem, I would
like to help."
"It doesn't concern
you," she says more sharply than she means to.
"Of
course. My apologies for
intruding." He turns away.
She thinks she's actually
hurt his feelings. "No. I'm sorry.
That was rude." She turns
away from the window. "It's just a
rough patch right now. That's
all."
She and Jim will be fine.
She just needs to keep
telling herself that.
Believing it might be a good
start too.
She looks back out the
window, sees Jim. He's got Admiral
Cartwright in tow. She sighs. He didn't tell her he was bringing Matthew. Fortunately, she's cooked too much food.
In the old days, he would
have told her.
In the old days, they
actually talked.
He and Matthew barrel into
the apartment, laughing. Jim's smile
fades a bit when he sees her.
That hurts.
But it's only fair. She can feel her own expression tighten as
she looks at him.
She senses Spock is missing
nothing. She is not sure how much of
this Matthew is picking up.
She moves to the kitchen,
gets the food ready. Matthew helps her,
like he always does.
"Sure smells good, Christine." He grins at her.
"Thanks." She tries to relax, figures she will if she
has a few more glasses of wine.
As if he can read her mind,
Jim is handing her a glass of red. He's
making short work of his own Scotch.
Great. If this keeps
up, they'll be lushes as well as strangers.
Dinner isn't as painful as it
would be if it were just Jim and her.
Matthew and Spock are keeping the conversation going with tales of the cadets. Jim is smiling, but he doesn't chime in, even
though she knows he must have a few funny cadet stories of his own.
Not surprisingly, she is
afraid to share any funny Genesis-in-the-making stories. She's sure she'll slip up, mention Carol or
David or something restricted.
Jim and the others never ask
her about her work. They all know she's
working on something very sensitive.
They all understand that even though they might be cleared for it, that
doesn't mean they need to know about it.
They're all good officers that way.
It makes it easier to lie to
them.
She knows she could talk
about things more than she does. She
could complain about the idiosyncrasies of her coworkers or talk about problems
in general. It's what her colleagues do
at home. But she's just as afraid that
she'll accidentally mention protomatter as she is about outing her relationship
with Jim's estranged ex-girlfriend and son.
She knows it's her own guilt making her act so tightlipped. But knowing why she is doing it doesn't make
it any easier to stop.
After dinner, Spock tries to
help her clean up, but she shoos him out of the kitchen. She can hear the three of them out in the
living room. They sound much more
relaxed.
She hates to think it is
because she isn't there.
She knows it might be exactly
because of that.
When she's done cleaning up,
she goes to her study instead of joining them.
She finds it hard to concentrate on anything, finally gives up and
stares out the window at what looks like a gathering storm on the horizon.
"You okay?" Jim is standing at the doorway, watching her.
She nods.
"They left. You didn't come out."
"I wasn't in the
mood. Sorry."
He sighs, steps farther into
the room. "Chris, we need to
talk. I can't stand this."
"So talk."
His face tightens. The flip answer was definitely not the best.
"I'm sorry, Jim. I'm just tired."
"You're tired a
lot."
He's right. She uses it as an excuse for everything. Even for sex lately. She's found that sex is just too much of a connection
right now. It is getting too hard to
hide the truth.
But she wants sex. She wants him. She wants to push him up against the wall
right now. She wants him to grab her and
kiss her and force her to tell him the truth about Genesis and David and Carol.
It's the only way he's going
to find out.
"I know you're having an
affair."
Her jaw drops. He knows what?
"I saw you--" he
swallows hard "--and him. The other day at that coffee place near your office. Who is he?"
"You were spying on
me?"
"I came by to surprise
you. I was going to take you out to
dinner."
"Oh." She stares at him, unsure what to say. Of all the conclusions he could have leapt
to, this is the last one she saw coming.
"So. How long has
this been going on?"
"Jim, I know how it must
have looked, but that's not what you saw.
He's just a friend. From work."
"Didn't look like just a
friend. Your conversation looked like
life or death to me." He smiles
bitterly. "I'm familiar with how
intense you can be. This was definitely
you upset."
She moves toward him, but he
shies away. "You're right,
Jim. I was upset. But it was just a work issue. Something in the project that he and I
disagreed on."
"Really?" He looks far
from convinced.
"Really."
He moves closer. "Then you won't mind if I talk to
him. Ask him myself?" He steps forward, grabs her arms. "Who is he, Chris?"
She can feel her face go
white. "Jim. I can't tell you that."
"Somehow, that's exactly
what I figured you'd say." He lets
go of her, starts out of the room. But
he turns at the door. "You still planning on going to Harry's this weekend?"
She nods. She's been looking forward to seeing the
ranch ever since Jim's uncle told them about it at dinner the last time he was
in town.
"Well, don't. I need some time alone." His eyes are cold. Colder than she's ever seen
them. "You stay here. With your 'friend.'"
"Jim. No."
She reaches out for him.
"Don't do this."
"Then tell me the truth,
dammit!"
Her hand drops. "I am telling you the truth." The falseness of that statement rings between
them.
"No. You aren't." He turns on his heel and walks out. She hears the door close to his study; the
jazz starts up.
He doesn't come out all
night.
---------------------------------
The apartment seems
particularly empty with Jim gone. He's
back in
He never asked her if she
wanted to come.
Christine roams the apartment
like a caged animal, pacing back and forth as if she has been locked inside her
own home.
The comm unit rings and she
races to it. Maybe it's him. Maybe he's missing her and wants her to come.
It's Harry.
"Hi," she says
uncertainly.
"Hello,
Christine." He looks over his
shoulder, as if afraid he's going to get caught taking to her.
"Something
wrong?"
"Well, something must
be. You sure as hell aren't here, now
are you?"
She looks down. "I'd like to be."
"Then hop the nearest
transporter and get your rear end up here." He glares at her. He's not kidding around.
"I would. But--" She looks down. She doesn't want to tell Jim's uncle that his
nephew would rather not see his fiancee.
They've postponed the
marriage again. She supposes she should
be grateful it's an informal thing.
Easily scheduled and rescheduled.
Because they've been postponing it ever since they left
the ship. Probably about the
minute Jim started to sense she was keeping something from him, and she started
to pull back because of all the lies she was telling.
"Christine, Jim'll kill me if he finds out I called you. But you need to get up here. I don't know what's going on between the two
of you, but..." He sighs. "Oh hell, look, I've got a houseguest
right now. Sweet
thing. Daughter
of a friend. Real
looker. Do you see the damn
problem?"
She closes her eyes. Nods.
"Do you care?"
"Of course I care. It's just not that simple."
"They're getting on real
well, girl. See my houseguest is just
back on Earth after a bad breakup. I'm
thinking she could use some comforting.
I'm also thinking Jim seems awfully eager to be the one giving that
comfort. You better get up here if you
want to keep him."
He's cheating on her
now. It's only fair--in his mind
anyway. She hasn't given him any reason
to think she's not cheating.
"Christine. Get up here."
"Okay." She feels something fill her. Resolve.
Anger. Guilt. Everything.
The man she loves may soon be
out of reach, and it's her fault.
But she can fix this. She can stop this.
She hurries out of the
apartment, practically runs to the transporter station. Somehow manages to talk the tech into beaming
her directly to the ranch. She hurries
to the house, knocks loudly.
Harry answers. "Good, you're here. He's in the barn."
She doesn't wait, starts to
run and then sees Jim come out. She
realizes she is crying. No wonder the
tech took pity on her.
Jim starts walking toward
her, as he gets closer he sees she is crying and begins to hurry. "Chris, what's wrong?"
She throws herself into his
arms. Tries to talk but is crying too
hard.
"What's happened? Did someone get hurt?"
She pulls away. "No.
I'm sorry."
She sees a woman come out of
the barn, can't tell much about her except she looks pretty--and young. The woman watches them.
"Is that her?"
He doesn't look back. "That's Antonia. She's staying with my uncle until she gets
settled." His eyes narrow. "Did Harry call you?"
She looks down. She can't even protect Harry. She hates lying. "Yes," she says. "He did."
No more lies. That's what her new policy will be.
No more goddamn lies.
"I'm going to kill
him."
"Don't. He's just worried about you. About us."
"Chris, I'm not sure
there's an us to worry about anymore." He sighs.
"What the hell happened? We
were so happy."
She nods. "It's this project, Jim. I hate the secrecy. I'm going to transfer out. I'll tell them that. We're at a transition point, it's the perfect
time. I don't care about it
anymore. I just don't want to lose
you." She looks down. "Do you even love me anymore?"
"Oh,
Chris." He pulls her close, his arms tight. His voice is more gentle
than it has been for months. "Of
course I love you."
She sees Antonia go back into
the barn. "I'm not gonna ask you if you slept with her." She knows that might make it look like she
did sleep with David, but she doesn't care.
She just wants to start fresh.
With no more lies.
"I--"
She touches his lips with her
fingers. "I don't want to
know. Everything else is in the
past. No more secrets. And no lies. From this moment on. All right?" She strokes his face. "I love you. I don't want anything to come between
us."
She kisses him, feels him
hesitate and kisses him with more passion until he responds, and his arms
tighten around her.
"Do you have a bedroom
here?" she asks.
"We have a perfectly good
bedroom in our apartment. Let's go back
there now." He looks guilty
suddenly, and it hits her like a punch to the gut.
He did sleep with
Antonia. He doesn't want to sleep with
Christine in the same room.
Is it because he doesn't want
to hurt her? Or
because he doesn't want to hurt Antonia?
"You want a ride into
town?" Harry calls from the front porch.
"We're going to have
words, old man." Jim glares at him.
"That doesn't answer my
question. Should I go
fire up the flitter or not?"
"Yes," she answers
for both of them. "Please."
Harry smiles and walks away,
returns a moment later in the small flitter.
They climb in; the ride to town is silent, but Jim keeps squeezing her
hand, and she keeps looking over at him as if to reassure herself that he is
really coming home with her.
"Next time I see you,
Christine, I hope you can stay a while," Harry says as they climb out of
the flitter.
"Me
too." She smiles at him. "Thank you."
He nods solemnly. "Just as long as
everything turned out okay. That
way, I won't have to get mad that you went and told him I called you."
"Sorry. I'm a bad liar." If only that were true.
She follows Jim into the
station, waits with him in line. He
holds her hand. But there is something
in his face, some sort of sadness she doesn't like.
Just how much does he feel
for this other woman? Does he love
Antonia?
"If you want to turn
around, I'm sure she'll still be there."
It is a stupid thing to say, but it is the only thing to say. Sometimes you have to be brave and face
things head on.
But her heart breaks a little as she says it.
He hesitates a moment too
long.
She pulls away. "Look.
Just go back then."
He doesn't move. "It's not like that."
"Then what is it
like?"
"It's just that I'm not
sure we can be saved."
She feels all expression die
on her face. They're terminal? As a doctor, she knows it's all over the
moment she gives up on a patient living.
That is unless the patient
has other ideas.
"We can be. I know it." She takes his hand. "We were happy."
"Past
tense."
"We will be happy. Future tense."
He smiles slightly. The tech motions
them forward and he doesn't seem to hesitate.
She steps up too, gives the man the station they want.
The walk to their apartment
is short, the elevator ride even shorter.
Their apartment seems so cold, so empty.
He sighs as they walk in,
turns to her. "At least keep your
goddamned eyes open. I don't want to
have to wonder if you're pretending I'm some younger man."
She looks down. It never occurred to her that David's age
would be a factor in this. But Jim has been
touchy about his final approach to fifty.
She's not sure why--he's as vital as ever.
"You're the only one I
see," she says, as she moves into his arms.
He kisses her, tentatively at
first, then with more passion. They
don't bother getting to the bedroom, fall down on the couch and make love with
the old intensity.
She is careful to keep her
eyes open.
She notices he does not call
her name out, wonders if he is afraid to call out any name in case it is the
wrong one.
As they lie together afterwards,
there is something missing between them.
The sex was good, their kisses now are sweet.
But the trust is gone. On both their parts.
She hopes not forever.
"You're sure you don't
mind being hostess for this dog and pony show?" Carol is bustling around her office, getting
ready to go check out the site for stage two.
Christine hasn't been told where it will be--she's found that
information on future stages of the project are off limits to her since she
told Carol she was leaving.
And people seem to be
watching what they say around her.
It's okay. She doesn't need to know anymore. Not if she's leaving.
Carol looks over at her. "It's just a couple of admirals. I guess that's the peril of having such a
sexy project. We're constantly playing
tour guide."
David doesn't play guide
often, mainly because he invariably loses patience with the visitors. They're never as smart as he is.
Fortunately, David is going with his mother.
Christine won't have to worry about what he might say to the brass.
"Thank you for being so
understanding about my leaving," Christine says.
"I know it's been hard
to lie to Jim. I hope you realize how vital
your silence has been to the project's success?"
Christine nods. Although she
thinks her silence has been more vital for keeping Jim away from David than for
the sanctity of Carol's precious project.
Carol gives her a look that
seems almost envious. "You're doing
what you have to do to preserve something you believe in. I understand that. Sometimes I wonder what would have happened
if I had fought harder for Jim."
She looks away, then she looks back. "I don't like that you're leaving
though. David needs you,
Christine."
She nods unhappily. She knows he needs her; she is his conscience. She's worried that he may not have one of his
own.
"There will always be a
place for you here, Christine. I want
you to know that."
She nods, touched at Carol's
warmth. She and Jim's old flame have
never been close. But Carol treats her
well. Probably because
David and Christine have been joined at the hip since she came on board. And because they've gotten
such amazing results.
David was right. The protomatter was the answer. It is the sole reason they are moving onto
stage two. It is the reason they are
ready.
She sighs. A part of her would like to see this out.
But that part isn't in charge
anymore.
"Good luck with the
tour," Carol says as David walks in.
"Ready, kiddo?"
"Ready." He smiles at Carol. Sometimes Christine thinks his relationship
with his mother is unhealthily close, might be worried if she didn't know that
David preferred men. It was what made
Jim's worries so silly. Not that she
could tell him that.
Soon, she wouldn't have to
worry about it. Soon she'd be free of
this project and the wedge it had put up between Jim and her.
She follows Carol and David
out, veers off before the main entrance and goes to her office. She has a lot to do before the visitors arrive. And more to do after that
if she wants to get home at a decent hour.
And she does want to. Things with Jim are better, but they are
still so tentative around each other.
She knows that only time spent together rebuilding the connection they've
lost will make them more at ease.
And spending time with him is
no hardship. Having sex repeatedly as a
temperature check isn't bad either.
She forces herself to stop
thinking of Jim, and finish transitioning her work. David has all her notes on protomatter, but
there are other parts of her work that she can share with the rest of the
team. It's just a matter of organizing the
information.
A few hours later, she has
them ready to go. Tomorrow she can
finish up any miscellaneous files, visit the security office to be debriefed,
and then she will be free. Finally.
She will also be out of a
job. So far, Starfleet Medical seems to
have forgotten about her--or at least they're not beating down the doors with
her next assignment. Then again, they
might not know where the Genesis doors are.
She will be so glad to get
back to Starfleet proper.
"Doctor Chapel?" One of the other scientists looks in.
She imagines that when he
calls her "Doctor," he is probably more interested in her biochem doctorate than in her M.D.
"Our admirals are
here." He manages to put a sneer
into the titles. David's dislike of all
things military has rubbed off on too many of her colleagues, but she can't get
him to moderate his hostility, even to set a better example.
What does he care about what
kind of example he sets? Other than intellectually--he loves being the exemplar in that.
"Starfleet is the one
paying our bills. We should all remember
that."
"You're Starfleet, so I'd
expect you to say that." He walks
out.
She sighs as she gets
up. She is one of the few Starfleet
here. Carol has been astoundingly
successful at keeping the military out. Other than those she and David
particularly wanted on the project.
There are so many days when
Christine wishes she wasn't one of those chosen few.
She sees that the lights in
the conference room are on. The admirals
will be waiting for her. She has filled
in before on these little tours. Enjoys them actually.
Interacting with the brass and selling the project as best she can to
those who have a layman's grasp at best of the science behind the sexy premise
is fun.
She walks into the room and
forgets how to breathe.
Jim is one of the
admirals. She can't even take in who the
other is. Just stares at Jim as he looks
up and immediately goes white, then his face begins to turn red.
Rage. She is looking
at rage.
Somehow he manages to
speak. "I didn't realize you were
involved in Carol's project, Commander."
She nods. The other admiral looks at her strangely.
"What's the matter? Cat got your tongue?" Jim stands up. "We're here for a tour. Give us one."
The other admiral looks at
him sharply. Jim's words and tone are
rude. No other word for it.
The other admiral doesn't
have any idea what he's just wandered into.
She swallows hard. "I'm not the most qualified to give the
tour. Perhaps another one of the scientists could---"
"--No,
Chris. I want you to give us the tour."
She somehow nods. "This way then."
Jim seems to settle down as
she takes them through the history of the project. But Carol told her that Jim knew about
Genesis, at least in concept. Carol was
working on it even back when they were together.
"And which section do
you specialize in, Commander?" the other admiral asks, probably hoping to
keep them on safe ground.
"Chris is a biochem specialist.
That would be David Marcus's section, wouldn't it?"
She nods.
"And does he happen to
have curly blonde hair? I think I caught
a glimpse of him once through a window, but his back was to me. I may be mistaken." His eyes are unforgiving.
"No. You're not mistaken."
"I'm sure working
together must be exhilarating? Must give
you so much in common?" His tone is
easy, as if he's just making conversation, but his eyes are angrier than she
has ever seen them.
"We're friends."
"Close friends, I
imagine."
"Not that
close. We just work
together."
"Ah." He looks over at the other admiral. "Enough small talk,
right, Pete? We should let
Commander Chapel get back to her work."
The other admiral nods.
A sick feeling is roiling up
from Christine's stomach. She thinks she
might throw up or pass out. Instead she
reaches out, touches Jim's arm.
He jerks it away.
The other admiral doesn't
notice. Just heads for the
entrance. One of the guards lets him
out.
"Don't go, Jim. We need to talk."
"You had an affair with
my son. May still be
having one with him. How much
talk is necessary?"
"I wasn't involved with
him."
He's not listening to
her. "My son,
Chris? That's sick."
"I swear to you. I did not sleep with him."
"Clever answer since you sleep with me every night. Did you have sex with him though?"
"No." She touches his arm again.
This time he looks down at
her fingers, then slowly raises his head.
"Don't do that again."
She has never been afraid of
him.
Not until now.
She pulls her fingers away.
"I should have told you
I was working with David and Carol."
"Yes, you should
have. Why didn't you?"
She looks down. She's been trying to figure that out for too
long. "It was because of the pro--"
She swallows the rest of the word. He already thinks she is unfaithful,
does she want to add unethical and insane to the list? "I made a mistake."
"You said no more
lies."
"I'm leaving the project
tomorrow. There won't be any more lies
after I'm gone."
He just shakes his head. "Stay on the project, Chris. Stay with David. Because you're sure as hell
not staying with me."
He turns on his heel and
strides out. The guard sees his face and
has the door open for him long before he gets there.
She feels as if she might
faint, grabs the nearest piece of furniture for support and tries to figure out
what to do.
She wants to run after him,
but she knows he is too angry to listen to her.
But tonight...she'll go home tonight and talk to him. When he's calmer.
She has a plan. Now if she could just remember how to
breathe.
------------------
Jim is packing when she gets
home. It's taken her the whole day to
calm down and figure out what to do, how to make this right.
"I didn't sleep with
him."
He just nods. Not as if he believes her, more as if he is
too tired to fight about it.
"I know how I can prove
it."
He turns to look at her.
"Spock. Let's go to his apartment. Now."
"A
mind meld?"
She nods. She knows Spock will be able to tell that she
never cheated on Jim.
It suddenly occurs to her that he might find out about the protomatter. Can she shield well enough to keep him from
seeing that?
This is insane. She can't let him into her mind. He can't find out.
But Jim doesn't know that
she's changed her mind. Maybe just her willingness to let Spock meld with her
will be enough?
"All
right. I believe you. You didn't sleep with him." He goes back to packing.
"You're still
leaving?"
He nods.
"But I didn't cheat on
you."
He turns to her. "Well, that's too bad because I cheated
on you."
She swallows. "I know.
I forgive you."
"You forgive
me?" He laughs,
a terribly bitter laugh. "You
forgive me?" He drops the shirt he
is folding, strides over to her.
The look on his face makes
her take a step back, then another. The third step back lands her against the
doorjamb.
"Where the hell do you
get off forgiving me? You've been
getting to know my son ever since we got back and you never told me. You never even hinted. And you forgive me?" He turns and walks back to the bed. "Carol at least was upfront about
keeping him away from me. But
you..." There is complete disgust
in his voice.
"Jim."
"What the hell is wrong
with you, Chris? What were you
thinking?" He seems to sag. "How can I ever trust you again?"
"Jim, it was
just..." She doesn't know what it
just was. She's been stupid. So damn stupid not to tell him. She sees that now. But she couldn't tell him because he would
have found out about the protomatter...
It always comes down to that
damn protomatter.
Her own
private apple in the garden.
She turns and walks out to
the living room, slumps into the nearest chair.
He's leaving her, and there's not a thing she can do to stop it.
Walking out, he sits down
across from her. "Things haven't
been good for a while now."
"I know." She can't meet his eyes.
"I think I'd almost
prefer it if you were in love with someone else. Then I'd understand it. Why you kept him to yourself."
She looks up at him. She's not crying. She feels too numb to cry.
This is all her fault. That keeps ringing through her head. This is all her fault.
"Don't go, Jim."
"I have to. I can't stay here. I hate it here. I have since we got back."
It takes her a moment to
realize that he means
"You're
transferring?"
"I'm retiring." He laughs bitterly again. "I have retired. Effective today, I am gone."
"Where will you
go?" She sees his face
tighten. "You're going back to
He doesn't look at her, just
nods.
It stings. Hurts almost more than she
can stand. He's going back to
that other woman. Antonia.
"How do you know she'll
take you back? You didn't even say
goodbye when you left."
"I said goodbye later." He looks up at her.
"Oh." She thought he'd cut all ties with
Antonia.
She was an idiot.
"And she's waiting for
you now?"
He nods again.
"At least say goodbye to
Spock."
"I have. He knows where
I'll be."
She realizes he doesn't just mean
Spock knows where Jim will be,
but Jim's not going to tell her.
She looks down. "It's really over then."
"Yes, it really is." He gets up, walks back into the bedroom. A few minutes later, he comes out with his
bag. "I'll send for the rest of my
stuff."
She nods.
He stares at her for a
moment, his expression unreadable.
She blinks back tears,
clenches her teeth so she won't say she loves him.
He doesn't care anyway.
"Goodbye," she says
finally.
He nods, then walks out of
the apartment.
And out of her life.
Forever.
-----------------------
Christine looks around her
office one last time. She doesn't need
to leave now that the rest of her life has fallen apart. But she can't stay. Not any longer. She can't undo the lies, and she can't undo
her part in whatever comes of using protomatter. But she doesn't have to stay to make it
worse.
Her comm unit buzzes and she
turns it on audio only. She looks like
shit from crying all night.
"Christine?" It is Carol.
Christine hits the video.
"Oh,
my." Carol winces.
"I'm sorry. I truly
am."
"You're sorry for
setting me up? Or you're sorry that Jim
left me?"
Carol makes a face. "Both?" She leans forward, a tentative smile on her
face. "I did it for you."
"You did it for
you. For the
project."
Carol doesn't look away. "And for David. He needs you, Christine." She sighs.
"I meant it when I said there would always be a place for you
here."
"Thanks, but I'm
leaving."
Carol looks stunned.
"You thought I'd stay
here after you ruined my life?"
"I didn't ruin your
life, Christine. It feels like that now,
I know. I've been there. But you'll get over it. I promise you--you'll get over him."
"No, Carol. I
won't." She starts to pack the few
things that actually belong to her.
"He'll have someone else
in no time, Christine. That's how much
you mean to him."
Christine turns around,
glares angrily at this woman who knows nothing about Jim. "He already does. And do you know why? Because of all the lies. Because he thought I was having an affair
first."
Carol leans in. "Christine. He would have had a new one no matter
what. That's how he is."
"No. It's not how he is. I know him.
I know what he's like. He loved
me. He would have been
faithful." She slams her desk
drawer shut. "I expect good
references from you."
"Stay and you'll get
them. I'm not making any promises if you
leave."
"Screw me over again,
and I'll tell David who his father is."
"You wouldn't."
"Oh, I would. You've left me with nothing but my
career. If you ruin that for me, what
will I have to lose?"
Christine thinks Carol might actually
be sweating.
"Just
calm down. Of course, if you want to leave the project,
I'll give you great references. There's
no need for threats."
"I'm glad we've come to
an understanding." She looks down,
then back up at Carol. "Were you
jealous? Is that it?" Only she's not sure if Carol was jealous of
her and Jim or of her and David.
"Don't be absurd. I really have to go now. I'm sorry, truly."
"Stop saying that. I know it's not true."
She doesn't wait for Carol to
sign off, just hefts her bag and heads for the security office for her
debriefing.
A half hour later she is
free.
And utterly
alone.
She cuts through the Academy
grounds, sees Spock talking to Saavik and some other students and veers off on
a side path. She can't face him right
now.
"Christine?"
She increases her pace, hopes
whoever it is will just think she hasn't heard them.
"Christine!"
She turns, sees Matthew
running toward her.
"What the hell happened
to Jim? He retired yesterday."
She tries to maintain her
composure. "I know."
"Well, you need to talk
some sense into him. This is
ridiculous. He'll be bored silly in a
week."
"